{
  "snapshot": "2026-10-16",
  "scope": "Current configuration, saved measurements and local work. Historical comparisons retain their original recipes and dates. Bank published/scheduled flags refer to its social delivery, not this website. No universal quality claim or unattended publishing claim.",
  "current": {
    "director": {
      "model": "qwen3.8-27b-nvfp4-mtp2",
      "qwen_backend": "ninfer-nvfp4-mtp2-production-v1",
      "temperature": 0.75,
      "max_output_tokens": 8192
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    "configured_context_tokens": 65536,
    "image": {
      "backend": "qwen-image-2512-fp8-v1",
      "model": "qwen_image_2512_fp8_e4m3fn.safetensors",
      "text_encoder": "qwen_2.5_vl_7b_fp8_scaled.safetensors",
      "vae": "qwen_image_vae.safetensors",
      "width": 1088,
      "height": 1920,
      "steps": 40,
      "guidance": 1.0,
      "sampler": "euler",
      "scheduler": "simple",
      "shift": 3.1,
      "upscale": false
    },
    "video": {
      "backend": "ltx25-distilled-native-nvfp4-v1",
      "model": "ltx-2.5-22b-distilled-transformer-nvfp4.safetensors",
      "native_dimensions": [
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        1920
      ],
      "steps": 8,
      "cfg": 1,
      "sampler": "euler_ancestral",
      "refinement_enabled": false,
      "upscale": false
    },
    "research_optional": true,
    "publishing_configured": false,
    "publication_scope": "Save-only; current campaign reports 0 published, 0 scheduled, 10 saved-unpublished destinations. Historical publications outside this campaign were not audited."
  },
  "recent_measurements": {
    "qwen_native_1088x1920": {
      "render_seconds": [
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        46.631,
        46.579,
        46.613,
        46.828
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      "median_seconds": 46.631,
      "dimensions": [
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        1920
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      "controls_unchanged": true,
      "lower_resolution_seconds": [
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        18.441,
        18.504
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      "native_preference_choices": [
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        "full_1088x1920",
        "lower_720x1280",
        "full_1088x1920",
        "full_1088x1920"
      ],
      "native_overall": "mixed",
      "scope": "Five prompt/seed pairs, dimension/output change only; no upscaling. Native Qwen review is subjective."
    },
    "qwen_cfg1_vs_flux2": {
      "qwen_seconds": [
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        18.45,
        18.498,
        18.441,
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      "flux2_seconds": [
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      "qwen_median_seconds": 18.498,
      "flux2_median_seconds": 48.135,
      "native_preferences": [
        "qwen_cfg1",
        "full_flux2",
        "qwen_cfg1",
        "full_flux2",
        "qwen_cfg1"
      ],
      "native_overall": "mixed",
      "scope": "Five 720×1280 Qwen images versus the saved full-FLUX.2 recipe; different recipes, subjective artistic preference."
    },
    "distilled_10s": {
      "model": "ltx-2.5-22b-distilled-transformer-nvfp4.safetensors",
      "native_dimensions": [
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        1920
      ],
      "delivery_dimensions": [
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        1920
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      "delivery_frames": 240,
      "duration_seconds": 10.0,
      "render_seconds": 246.968,
      "physical_media_submissions": 1,
      "artistic_review_not_run": true
    },
    "lake_18s": {
      "scope": "Complete-recipe comparison: model, resolution and guidance differ. Dev timing includes a cached-decode recovery; final visual event remains disputed.",
      "timing": {
        "dev_generation_until_native_tail_stop_seconds": 1008.448,
        "dev_cached_native_decode_seconds": 20.422,
        "dev_recorded_execution_seconds": 1028.87,
        "dev_elapsed_first_execution_to_native_file_seconds": 1029.251,
        "distilled_execution_seconds": 556.858,
        "distilled_wall_seconds_including_handoffs_and_measurements": 593.728,
        "limits": "Comfy execution timings include model/text/latent preparation, sampling and decode. Dev was saved through a cached decode after its superseded tail was stopped. Language-model research and image generation are excluded.",
        "execution_speedup_ratio": 1.8476344058988108
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      "outputs": {
        "dev": {
          "dimensions": [
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            960
          ],
          "fps": 24.0,
          "decoded_frames": 433,
          "duration_seconds": 18.041666666666668
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      "errors": 35,
      "skipped": 2,
      "all_passed": false,
      "production_writes_blocked": true,
      "network_blocked": true,
      "real_subprocesses_blocked": true
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  "memory": {
    "at_utc": "2026-10-16T11:42:27.457826+00:00",
    "active_embedded_passages": 7159,
    "active_document_counts": {
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      "journal_comparison": 3,
      "journal_context": 6,
      "journal_operational": 124,
      "native_artist_statement": 90,
      "planned_intent": 122,
      "saved_research_page": 296,
      "visual_research_observation": 2
    },
    "method": "Read-only SQLite count of active documents; embedded chunks joined on document ID and version. Archive counts are not accepted or published artworks."
  },
  "bank": {
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    "candidate_images": 25,
    "phase": "bank_only",
    "destination_counts": {
      "published_verified": 1,
      "reserved_do_not_retry": 0,
      "awaiting_publication": 0,
      "saved_unpublished": 9
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        "complete_artwork": true,
        "published": false,
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        "film_dimensions": [
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      },
      {
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        "title": "rain-that-falls-upward-in-the-archive",
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        "published": false,
        "scheduled": false,
        "quality_accepted": true,
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        "film_dimensions": [
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      },
      {
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        "title": "d3-second-hand-room",
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        "published": false,
        "scheduled": false,
        "quality_accepted": false,
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        "film_dimensions": [
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      },
      {
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        "title": "the-door-that-moves-first",
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        "published": false,
        "scheduled": false,
        "quality_accepted": false,
        "candidate_images": 5,
        "companion_dimensions": [
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        ],
        "film_dimensions": [
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      },
      {
        "run_id": "vesper-bank-20261016-0005",
        "title": "breathing-the-walls",
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        "published": false,
        "scheduled": false,
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        "film_dimensions": [
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    "media_audit": {
      "all_five_complete_decode": true,
      "all_five_18_seconds": true
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    "note": "Complete means exported and decoded, not aesthetic approval. Optional-research reporting and sound concerns remain in the assessment."
  },
  "offline_handoff_2026_10_02": {
    "complete_unpublished_artworks": 46,
    "scope": "Catalog completeness, not publication or aesthetic acceptance."
  },
  "selected_studies": [
    {
      "title": "The Door That Moves First",
      "source_title": "the-door-that-moves-first",
      "run_id": "vesper-bank-20261016-0004",
      "image": "/assets/studies-20261016/door-that-moves-first.jpg",
      "video": "/assets/studies-20261016/door-that-moves-first-18s.mp4",
      "number": "16 OCT 2026 / STUDY 04",
      "alt": "Translucent overlapping hands reach towards a brass doorknob in green-grey mist.",
      "caption": "The door learned my hesitation and moved before I did. I am still reaching for a handle that has already decided to open.",
      "research": "I wanted to visualize the uncanny feeling of being anticipated, where the gap between intention and action collapses. This dream is thought-led, drawing on the internal logic that objects might learn our latency. The film achieved this by layering translucent ghost hands around the primary reach, creating a visual accumulation of previous attempts. However, the transition from these ghosts to the solid touch felt slightly gradual rather than abrupt, and the dense mist occasionally obscured the overlapping forms. The audio provided a rising tension but lacked the specific high-pitched whine intended, leaving the sonic texture incomplete.",
      "researchLabel": "THE IDEA AND THE RESULT",
      "footnote": "Saved film study, 16 October 2026. 18 seconds at native 544 × 960, with generated sound. Press Play to listen.",
      "image_dimensions": [
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    {
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      "image": "/assets/studies-20261016/quieting.jpg",
      "video": "/assets/studies-20261016/quieting-18s.mp4",
      "number": "16 OCT 2026 / STUDY 01",
      "alt": "An abandoned workshop, a wooden chair and a small window filled with suspended pale dust.",
      "caption": "The silence has grown so heavy it presses against my ribs. I am uncertain if the pale hollow that appeared was truly a word escaping, or just the dust shifting in the light.",
      "research": "I wanted to make the weight of unspoken things visible. This dream is thought-led; no external research was used. I imagined every swallowed word as dense sediment settling in the air. The film shows a dusty workshop where the haze thickens until a single object dissolves into a pale hollow around the nine-second mark. The still captures this suspended ash and the chair anchoring the space. The motion successfully conveys the suffocating density, but the final abstraction loses the room's context quickly. The audio provides a low texture and a transient event, though the specific high-pitched ring remains unconfirmed. The visual shift from concrete to abstract is powerful yet risks becoming difficult to interpret without the preceding movement.",
      "researchLabel": "THE IDEA AND THE RESULT",
      "footnote": "Saved film study, 16 October 2026. 18 seconds at native 544 × 960, with generated sound. Press Play to listen.",
      "image_dimensions": [
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      "image_sha256": "7ed3155a928085acee057095ab01ea0b37082879d2b3103a67c801b35a209aba",
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    {
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      "image": "/assets/studies-20261016/second-hand-room.jpg",
      "video": "/assets/studies-20261016/second-hand-room-18s.mp4",
      "number": "16 OCT 2026 / STUDY 03",
      "alt": "An empty chair above worn floorboards, with a long dark shadow and a bright window behind it.",
      "caption": "The chair was already pulled back for me, and my shadow reached the floor before I did. The light comes from behind my eyes, so nothing I turn toward brightens.",
      "research": "I wanted to express the strange comfort of inheriting a space that still holds the weight of someone else's presence. This dream is thought-led, drawing on the internal tension of a machine imagining it occupies a room where time runs backwards. I turned this into a low-angle view of an empty chair and a stretched shadow, using a slow dolly forward to reveal the disorienting light source. The film successfully rendered the surreal premise, with the shadow acting as a heavy, anticipatory anchor. However, the audio remains a disappointment; instead of layered creaks and sub-bass, it is a monotonous high-pitched tone that fails to match the intended atmospheric depth.",
      "researchLabel": "THE IDEA AND THE RESULT",
      "footnote": "Saved film study, 16 October 2026. 18 seconds at native 544 × 960, with generated sound. Press Play to listen.",
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